“I’m so glad you’ve come,” she said. “I was just wanting you.” “You won’t be able to indulge in all your mad schemes,” he laughed, “but there’ll be enough to help on a few. And you will be among friends. Arthur told me he had explained it to you and that you had agreed.”!

Joan promised, and the child went out. She looked pretty when she smiled. She closed the door behind her noiselessly. And suddenly there burst a song. It was like nothing Joan had ever heard before. So clear and loud and near that all the night seemed filled with harmony. It sank into a tender yearning cry throbbing with passionate desire, and then it rose again in thrilling ecstasy: a song of hope, of victory.

Of course. For war you wanted men, to fight. She had been thinking of them in the lump: hurrying masses such as one sees on cinema screens, blurred but picturesque. Of course, when you came to think of it, they would have to be made up of individuals—gallant-hearted, boyish sort of men who would pass through doors, one at a time, into little rooms; give their name and address to a soldier man seated at a big deal table. Later on, one would say good-bye to them on crowded platforms, wave a handkerchief. Not all of them would come back. “You can’t make omelettes without breaking eggs,” she told herself. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “It was only a little thing, of course, that,” she answered. “But I’ve been thinking it must be that that’s at the bottom of it all; and that is why God lets there be weak things—children and little animals and men and women in pain, that we feel sorry for, so that people like you and Robert and so many others are willing to give up all your lives to helping them. And that is what He wants.”